Tabla Taalim by Sejal Kukadia

Tabla Taalim by Sejal Kukadia

I am very pleased to inform you about the wonderful tabla textbook that my dear American student, Sejal Kukadia has written. I am very proud of her and wish her all the best. The book is beautifully done and I know it will be a great resource for all. If you wish to purchase it, please contact Taalim School. Information about this guide to tabla is below.

Tabla Taalim takes a comprehensive look at the rich percussive art of Tabla. From the ancestral lineage of the gharanas to analysis of the rules of tabla compositions, this book covers all facets of Tabla. Tabla Taalim serves as a theoretical and practical guide to tabla, describing the fundamentals behind taal, the role of a tabla player and highlighting the distinctions with tabla playing for solos and different styles of accompaniment, complete with compositions. Written in easy-to-follow language, this tabla textbook serves many purposes and may also be used as a study guide for the Sangeet Visharad (equivalent of Bachelors of Music) exam.

Tabla Taalim Offers:
– 70+ color graphics, including rare photographs and gharana lineage charts
– Biographies of great tabla maestros
– Tabla solos in 15 different taals (Teentaal, Rudra Taal, Dhamaar taal, Brahma taal and more)

“Treatment of all topics are to the point and authentic“
– (late) Pandit Sudhirkumar Saxena, Ajrada Gharana
“Very impressed with the work she has done“
– Pandit Swapan Chaudhuri, Lucknow Gharana
“Great source of information for all students of Indian Music“
– (late) Ustad Shafaat Ahmed Khan, Delhi Gharana

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To be a Master of Indian Music

To be a Master of Indian Music

I am amazed at how many students I get who want master Indian music or tabla. The desire is commendable, but the effort that is made to achieve this aim does not reflect this goal. The world has changed. There was a time not long ago, when students of music would practice 7, 8, 10 hours a day. Besides practice, they did nothing. There were no weekends, no days off. It was single-pointed focus to become a master. There were no birthday parties and movies, no social commitments. For a period of time, they left behind the world in order to achieve greatness. And once that level is attained, a beautiful world opens up that cannot be described in words.

Today, I believe that there great distractions and more ways that a person can have their attention diverted, but human capacity of focus and determination still exist. And without fully utilizing them, greatness cannot be attained. I am not speaking of greatness in terms of becoming a star, being a star and having true mastery are two different things and don’t necessarily go hand in hand. To be a master requires the same qualities it did centuries ago, decades ago and a few years ago: focus, devotion and ability to leave everything. While the world may change, these qualities don’t change over time.

Here is a wonderful poem by Brahmanand that summarizes what a classical musician must do if they truly want to realize God through their music. Note that this can be applied to any field or work, if one desires to reach that level of mastery in it. This poem has been sung beautifully by Bhimsenji, who is a great model of a true sadhak.

Jo bhaje hari so sada
Wohi param pad payega
Chhod duniya ke majhe sub
Bhaith kar ekant mein
Dhyandhar guru ke charanaka
To prabhu mil jayega

Literal translation:

The one who remembers/praises God always
Will attain the Ultimate goal
Leave the pleasures of the world
Sit alone (in meditation)
Meditate upon the feet of your guru
And you will realize God

The actual meaning of the poem is:

The one who always and fully engages in ones work (this can be any work)
Attains the highest aim
Leave behind worldly pleasures
Sits alone with full concentration
Aspire to follow the path your guru(’s feet) have walked (upon)
And you will realize God

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