State of Today’s Indian Classical Music Concerts

A musician needs two types of people in the audience – those who really understand the depth of the music and those who may not understand its full depth, but offer financial support for the musician.
Commercial music concerts of Indian classical music have changed over the last two to three decades. On the good side, it is becoming more financially possible to be a classical musician; on the bad side, audiences with a deep understanding of music are decreasing.
There was a time when the first five rows of commercial concerts were reserved for people who deeply understood music. Rich people in suits and expensive Kurtās were actually seated behind these rows. Only then did the artist get into the mood to play real music because there were people who understood it.
I remember one concert that happened in Ahmedabad 20-30 years ago. It was a concert of a well-known musician who was travelling abroad. A short time into the concert, the audience had stopped the concert. Five people were on stage. They asked the musician not to play Palṭās. If he was to play, he had to play real music or there was no need for the concert. This was the strength of the audience. There was no room for gimmicks. The audience understood Indian classical music and did not accept anything less than true playing.
Today, things have changed. Today, in many commercial concerts, the financial supporters, who often do not have a very deep understanding of music, are the ones who occupy the front rows, while those who understand music, the students and connoisseurs, end up sitting in some corner. The demand for high-quality has decreased, and the artist consequently does not play that kind of music because it is not expected of him.
You can clearly see the changes in commercial concerts. Commercial concerts of a single artist used to begin at 8pm and end at least 3-4 hours later. Now, they finish in a span of 45 – 90 minutes. The ālāp alone used to last 1 – 2 hours. Now, we hear perhaps a 5 minute ālāp and 2-3 Rāgas in that time period. This is not necessarily because the artist is incapable of performing a long concert. In the younger generation, there might not be as many who can (as the concert demand has changed), but we still do have artists who can perform these “real” concerts. However, the general audience is not ready or trained to listen to and enjoy these concerts.
The training of an audience will not happen overnight. It requires regular exposure to high-quality musicians. Those who have an understanding should not be afraid to demand high-quality music, while those who are developing an understanding should not simply accept whatever the market is giving them to be the best.
The development of an audience takes time and commitment, but if it is not done, there will be a very small chance of hearing a real Indian classical music concert in the future.